Volume 7 Issue 2
December 2018
| Costume, Set/Scenery and Location as Narrative Agents in Worlds Apart: A Semiotic Analysis
Nkechi Asiegbu Bature-Uzor PhD
Review of Arts and Humanities, 7(2), pp. 1-10 DOI: 10.15640/rah.v7n2a1 URL: http://dx.doi.org/10.15640/rah.v7n2a1 |
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| Female Self-Definition and Determination in Tsitsi Dangarembga’s She No Longer Weeps
John Ebimobowei Yeseibo, Ph.D.
Review of Arts and Humanities, 7(2), pp. 11-16 DOI: 10.15640/rah.v7n2a2 URL: http://dx.doi.org/10.15640/rah.v7n2a2 |
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| Humanism of this Era
Mr. Jafar Samdani
Review of Arts and Humanities, 7(2), pp. 17-21 DOI: 10.15640/rah.v7n2a3 URL: http://dx.doi.org/10.15640/rah.v7n2a3 |
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| Counterpointing Time and Space: Polyphonic Artistic Thinking in Li Zhanyang Vendor: Selling Bread
Yuzhi Chen, Jinsup Yoon
Review of Arts and Humanities, 7(2), pp. 22-28 DOI: 10.15640/rah.v7n2a4 URL: http://dx.doi.org/10.15640/rah.v7n2a4 |
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